feverishly active mid- to late-20th century member of the Hollywood/NY Jew colony, using a fairly absurd alias (Hooker Hood? McClellan Stuart?). When asked about which, the Rosenthal replied: ‘because my real name is too long for a theatre marquée”. Not really. Lyova Sarah used a fake-name for the same reason thousands of other legacy media Jews, in the U.S. and elsewhere, used and still use them: to prevent Whites from understanding just who it is that daily feeds them poisonous, lethal values – cultural Marxism, Zionism, porn, faggotry, anti-White, anti-masculine, Judeo-feminism, open-borders globalism, etc. – all disguised as “news and entertainment”. An active communist during the 1940’s-50’s, Rosenthal was indeed “blacklisted”, back in the day when a Red was still called a Red (today, in Judeo-neoCon and cuckservative parlance, they are politely referred to as “progressives”…not coincidentally, the same euphemism the Judeo-Reds use for themselves), which, however, put only a minor crimp in her Tribally-networked media activitie$. Interestingly, though a noisy advocate of the murderous JudeoMarxist-universalist Tikkun Olam, this Jewess also appeared in various Zionist-holocaust propaganda flicks (“Voyage of the Damned”, etc.) and kept her serial marriages strictly kosher: #1 to Hollywood producer-director Victor Manoff…which produced a heavily-racked daughter, Dinah Sarah M. (Type II/#C22).