of the definitively “great” classical composers, only a few – Mendelssohn (who wrote imitative “German” music), Bloch, Mahler – were Jews…who concentrated instead in performance, as with the present case. In fact, universalist Tikkun Olam Jews early on recognized that such music was one of the principal cultural-integrative expressions of the rising White European/American nation-states, and determined to attack and destroy it: this, principally, by the Jew Arnold Schoenberg, his anti-melodic “12 tone system” of composition, and a whole raft of other epigonic Jewish and shabbatz goy (Stravinsky) composers. Who produced 80 years of “music” so awful, dissonant, and unlistenable that it drove off most of the White middle-class audience, precisely as the Jews intended. During the first decade of the 20th century, the average Euro-American White listened to Mozart, Beethoven, Grieg, Brahms, Rachmaninoff, and other sublime masters. Today, their culture taken over and destroyed by organized Jewry, devastated Whites listen to filthy negro rap noises and (((Lady Gaga))).